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Beyond Our Control?: Confronting the Limits of Our Legal System in the Age of Cyberspace by Stuart Biegel,

Beyond Our Control?: Confronting the Limits of Our Legal System in the Age of Cyberspace by Stuart Biegel,
This book provides a framework for thinking about the law and cyberspace, examining the extent to which the Internet is currently under control and the extent to which it can or should be controlled. It focuses in part on the proliferation of MP3 file sharing, a practice made possible by the development of a file format that enables users to store large audio files with near-CD sound quality on a computer. By 1998, software available for free on the Web enabled users to copy existing digital files from CDs. Later technologies such as Napster and Gnutella allowed users to exchange MP3 files in cyberspace without having to post anything online. This ability of online users to download free music caused an uproar among music executives and many musicians, as well as a range of much-discussed legal action.Regulation strategies identified and discussed include legislation, policy changes, administrative agency activity, international cooperation, architectural changes, private ordering, and self-regulation. The book also applies major regulatory models to some of the most volatile Internet issues, including cyber-security, consumer fraud, free speech rights, intellectual property rights, and file-sharing programs.



Beyond Our Control?: Confronting the Limits of the American Legal System in the Age of Cyberspace by Stuart Biegel,
Beyond Our Control?: Confronting the Limits of the American Legal System in the Age of Cyberspace by Stuart Biegel,
This book provides a framework for thinking about the law and cyberspace, examining the extent to which the Internet is currently under control and the extent to which it can or should be controlled. It focuses in part on the proliferation of MP3 file sharing, a practice made possible by the development of a file format that enables users to store large audio files with near-CD sound quality on a computer. By 1998, software available for free on the Web enabled users to copy existing digital files from CDs. Later technologies such as Napster and Gnutella allowed users to exchange MP3 files in cyberspace without having to post anything online. This ability of online users to download free music caused an uproar among music executives and many musicians, as well as a range of much-discussed legal action.Regulation strategies identified and discussed include legislation, policy changes, administrative agency activity, international cooperation, architectural changes, private ordering, and self-regulation. The book also applies major regulatory models to some of the most volatile Internet issues, including cyber-security, consumer fraud, free speech rights, intellectual property rights, and file-sharing programs.



Audio book - An audio book is a recording of the contents of a book read aloud. It is usually distributed on compact discs (CDs), cassette tapes, or digital formats (such as mp3 or Audible audiobook).

Free audio software - Free audio software is free software that can be used to listen to, modify, create and/or author audio signals and music.

Red Book (audio CD standard) - Red Book is the standard for audio CDs (Compact Disc Digital Audio system, or CDDA). It is named after one of a set of colour-bound books that contain the technical specifications for all CD and CD-ROM formats.

Ultra Low Delay Audio Coder - The Ultra Low Delay Audio Coder (short: ULD) is a development of the Fraunhofer Institute for Digital Media Technology (IDMT), which is headed by one of the fathers of MP3, Karlheinz Brandenburg, and of the Fraunhofer Institute for Integrated Circuits (IIS). The ULD is a lossy audio data compression scheme that only introduces a very small amount of delay into the audio signal compared to commonly known audio coders like MP3 or AAC.



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